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I got carried away with my penchant for texture in this 28-layer fractal. There's so much going on here. It's fun to turn each layer off and on, one at a time, to see the subtleties it lends to the overall image — effects you don't really notice until they're not there. All but two of the layers use the Pixel calculation formula and the main shapes come from Kerry Mitchell's Sinusoid coloring algorithm.

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